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- VIDEO, Page 90The Pulp Message of the Week
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- THE KAREN CARPENTER STORY CBS; Jan. 1, 9 p.m. EST
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- "Karen, you're not eating," says the concerned mother to her
- undernourished daughter. An edgy family discussion ensues over
- dinner. "You look too thin, if you ask me," says Mom. "Mother,"
- replies Karen Carpenter, "how can anybody be too thin?"
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- Is this a Saturday Night Live sketch? An ad for the Beef
- Industry Council? No, it's The Karen Carpenter Story, a TV movie
- about the life and 1983 death (from heart failure linked to
- anorexia nervosa) of the creamy-voiced pop singer. The CBS film
- is a fitting New Year's Day kickoff for a genre that has run
- rampant in the past year: the TV docudrama. Virtually every
- headline-grabbing news story, from mass-murder spree to airline
- hijacking, is being processed and spun out as "fact-based
- drama." One can almost feel the hot breath of Hollywood waiting
- for the Joel Steinberg trial to end so it can be recast and
- retold as the inevitable Sunday Night Movie.
-
- These TV sagas allow the audience to relive a sensational
- news story in a compact two- or four-hour chunk, with climaxes
- italicized and ambiguities excised. More subtly, they help
- viewers cope with tragic events by imparting the foreknowledge
- of God. Seemingly random occurrences of day-to-day life take on
- major significance with TV-movie hindsight. Early in Karen
- Carpenter, the teen-age Richard Carpenter grabs a pizza from
- his little sister. "You don't want to get fat, do you?" he
- taunts. Ah, if only they knew . . .
-
- As TV pulp fiction goes, Karen Carpenter is quite enjoyable.
- Cynthia Gibb (who lip-syncs Karen's syrupy hits like Close to
- You) and Mitchell Anderson are convincing as the sister-brother
- act. Director Joseph Sargent traces their rise to fame in brisk
- if superficial strokes. The film (which lists Richard Carpenter
- as executive producer) is blunt about the troubles the young
- stars faced: overprotective, underaffectionate parents (Louise
- Fletcher, Peter Michael Goetz), Richard's drug problems, Karen's
- growing obsession with losing weight. The scrubbed duo make drug
- abuse look positively wholesome, but the movie deftly grafts the
- morbid thrills of a disease-of-the-week drama onto a traditional
- show-biz bio.
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- The trouble, as usual, comes in the oversimplified and
- heavy-handed message. In the realm of docudramas, the best lack
- all conviction: last spring's Baby M was a gem precisely
- because it had no overt agenda other than to convey the clash
- between two impassioned, tragically irreconcilable points of
- view. Karen Carpenter takes the more familiar didactic
- approach. Message No. 1: losing weight has its limits (or, you
- can be too thin). Message No. 2: such an illness can often be
- traced to the failings of Mom and Dad. A psychiatrist who has
- examined Karen chides the senior Carpenters for making her feel
- inadequate and hiding their love. Mom bristles, but in the last
- scene finally utters the magic words "I love you." In the final
- shot Karen is seen walking toward the camera, beaming. Message
- No. 3: for connoisseurs of docudramas that turn depressing
- stories into upbeat affirmations, we've only just begun.
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